Avvaiyar is known for her simplicity, but at times, there were situations where some poets, especially Kambar, confronted her and consequently tried provoking her. Even in such situations, Avvaiyar maintained her stance of simplicity, composure and righteousness. However her responses would be so sharp that the truth in them would make the opponents to put their heads down in shame or in acceptance of defeat.
One such situation was with Kambar. Kambar gained prominence and was a hailed for his great work Kamba Ramayanam. The King was praising Kambar more and seemed to neglect other poets who have equally contributed to literature. As a result, Kambar‘s pride knew no bounds, and he too neglected and treated other poets with disrespect. Even his attire was pompous and prideful. Seeing this, Avvaiyar sang the following
விரகர் இருவர் புகழ்ந்திட வேண்டும்
விரல்நிறைய மோதிரங்கள் வேண்டும் அரையதனில்
பஞ்சேனும் பட்டேனும் வேண்டும் அவர்கவிதை
நஞ்சேனும் வேம்பேனும் நன்று
Viragar Iruvar Pugazhdhida Vendum
Viral Niraya Modhirangal Vendum Araiyadhanil
Panjenum Pattenum Vendum Avarkavidhai
Nanjenum Vembenum Nandru
meaning, A poet has to have at least two cunning people beside him to praise him often; Rings in his fingers, dress that is made of silk or cotton. For such a pompous, gawdy poet, his poetry, even if rubbish or bitter in meaning, will be praised.
Viragar - Person cunning, shrewd or smart
Pugazh - Praise
Viral - Fingers
Niraya - Full
Modhiram - Ring
Arai Adhanil - Lower half of the body
Panju - Cotton
Pattu - Silk
Kavidhai - Poetry
Nanju - Poison
Vembu - Refers to the Neem tree which indicates bitterness
Nandru - Better
What Avvaiyar conveyed in her song was that even if a poet has achieved prominence out of his work, a poet has to have humility. Had not the message been so strong, it would not have reached.
On seeing Avvaiyar being provoked at Kambar’s actions, the King intervened to prevent things from going worse and also he has a very great respect for Kambar, hence he came to talk in favour of Kambar. The King said that Kambar is a great poet who has written an epic in Tamil literature which no other poet has done. There came the response from Avvaiyar, which was even more embarassing for Kambar
வான்குருவி யின்கூடு வல்லரக்குத் தொல்கறையான்
தேன்சிலம்பி யாவருக்குஞ் செய்யரிதால் யாம்பெரிதும்
வல்லோமே என்று வலிமைசொல வேண்டாங்காண்
எல்லார்க்கும் ஒவ்வொன் றெளிது
Vaankuruviyin Koodu Vallarakku Tholkaraiyaan
Thaen Silambi Yaavarukkum Seiyaridhaal Yaam Peridhum
Vallome Endru Valimai Solla Vendam Kaan
Ellaarkkum Ovondru Elidhu
meaning, building a complex and delicate nest like the weaver bird, a strong mound like the termite, gathering honey, the intricate spider web is not easily to be built by all. Likewise, never boast yourself by the works you have done. Because, each one has a task that he can do easily. Additionally, one can never claim superiority over the others by doing a task that is easy for them but difficult or impossible for the others. Like a weaver bird can build its intricate nest but cannot build a termite mound, hence cannot claim superiority by the task one does.
Vaankuruvi - The weaver bird in this context
Vallarakku - Termite mound
Karaiyaan - Termite
Thaen - Honey
Silambi - Spider web
Yaavarkkum - for everyone
Seiyaridhu - Rare/difficult to be done
Yaam - reflexive pronoun
Peridhum - Refers to enormous amount
Vallom - Able
Valimai - Strength, Power
Solla - Tell
Vendaam - Negation of an action
Ellarkkum - for everyone
Ovondru Elidhu - Somethings are easy
Still trying to save Kambar’s face in front of the other poets and people in his court, the King said that Kambar was a poet by birth. Without missing a beat, there came the following song from Avvaiyar
சித்திரமும் கைப்பழக்கம் செந்தமிழும் நாப்பழக்கம்
வைத்ததொரு கல்வி மனப்பழக்கம் நித்தம்
நடையும் நடைப்பழக்கம் நட்பும் தயையும்
கொடையும் பிறவிக் குணம்
Chithiramum Kai Pazhakkam Senthamizhum Naapazhakkam
Vaithadhor Kalviyum Manappazhakkam Niththam
Nadaiyum Nadaipazhakkam Natpum Dhayaiyum
Kodaiyum Piravi Gunam
meaning, The finest art is the practice of the hand; The eloquence in Tamil literature is the practice of the tongue; The greatness of knowledge is the practice of the mind; The nobility of behaviour is by the practice of being nobly behaved. The ones that come by birth are - friendly attitude, mercy and benevolence.
Chithiram - Art, Painting
Kai - Hand
Pazhakkam - Practice
Senthamizh - Classical Tamil
Naa - Tongue
Kalvi - Knowledge
Manam - mind
Nadai - Behaviour
Natpu - Friendship
Dhayai - Mercy
Kodai - Benevolence
Piravi - Birth
Gunam - Character
With this song, Avvaiyar remarked that except friendly attitude, mercy and benevolence, all other things are acquired by practice and even Kambar’s poetic skills are by practice and not by birth. This put Kambar in a very bad situation of being humiliated in front of the others.
The King could not tolerate Kambar being humiliated like this, but he cannot deny the truth attached to Avvaiyar’s song and Kambar’s behaviour at that instance. However, he did not want Kambar to feel bad about that and hence told that there is no one to win Kambar in his poetic eloquence. As usual, came a song from Avvaiyar
காணாமல் வேணதெல்லாம் கத்தலாம் கற்றோர்முன்
கோணாமல் வாய்திறக்கக் கூடாதே நாணாமல்
பேச்சுப்பேச் சென்னும் பெரும்பூனை வந்தக்கால்
கீச்சுக்கீச் சென்னும் கிளி
Kaanamal Venadhellam Kathalaam Katrormun
Konaamal Vaai Thirakka Koodathae Naanamal
Pechu Pechu Yenum Perumpoonai Vandhakkal
Keechu Keechu Yenum Kili
meaning, the people train the parrot to speak words. Once it has learnt to speak a few works, it will talk and gabble continuously. But when a cat enters the room, it will forget about speaking and start screeching. Likewise, once we learn or achieve something, we can talk about it among close circles. But when among learned people, they have to maintain the humility and keep quiet. Otherwise, they would be put to a situation like the parrot seeing a cat. The same was the situation for Kambar, unnecessary talk and pride had led him to a position that he had to be ashamed and keep quiet.
Kaanaamal - Without the presence or being seen
Venadhellam - Whatever wished
Kaththalaam - Shout
Katror - Learned
Mun - in front of
Konaamal Vaai Thirakka koodathae - Should never open the mouth
Pechu - Speech
Perum Poonai - Big cat
Vandhakkal - Arrive
Keechu - Screeching of a parrot
Kili - Parrot
In another instance, Kambar met Avvaiyar and remembering his past bitter experiences, wanted to humiliate Avvaiyar. So, pretending to ask a riddle he humiliated her by using the word ‘dee’ in his question. In Tamil, suffixing or using ‘dee’ when speaking to women is considered derogatory, humiliating and treat the women with utter disrepect. Likewise using ‘daa’ for men is derogatory.
So, Kambar asked the following riddle, where he indirectly referred to the “Aarai” plant and at the same time, humiliating Avvaiyar calling ‘dee’
ஒரு காலடீ நாலிலைப் பந்தலடீ
Oru kaaladi Naalilai Pandhaladi
meaning, What has one foot and four roofs. He referred to the “Aarai” keerai that grows in mud and near ponds. The vallarai keerai is a relative of this. He had used the word “dee” as a pun to also mean the foot and the thing underneath a roof or a tent
Avvaiyar knew Kambar’s intentions, grew angry and blasted him off with the answer at the last in the same style of pun. Kambar was paid back through the same coin.
எட்டேகால் லட்சணமே எமனே றும்பரியே
மட்டில் பெரியம்மை வாகனமே முட்டமேற்
கூரையில்லா வீடே குலராமன் தூதுவனே
ஆரையடா சொன்னா யடா?
Ettaekaal Latchanamae Yemenerum Pariyae
Mattil Periyammai Vaaganamae Mutta Mael
Koorai Illa Veedae Kula Raaman Thoodhuvanae
Aaraiyada Sonnai Ada
meaning, You disfigured beauty, You buffalo - the mount of Yemen (The Diety who is believed to take the lives when someone dies), You donkey - The mount of Moodhevi (The elder sister of Goddess Lakshmi who is believed to bring bad luck), a roofless wall/home (Kutti Suvar in Tamil), You monkey - the messenger for Lord Rama. How dare you address me like that?. The last line is interpreted as a pun. With the second meaning indicating the answer to Kambar’s question, “You mentioned the Aarai Keerai”.
Ettaekaal Latchanamae - Eight and a quarter beauty - In Tamil, 8 is written as அ and quarter as வ, put together it would be அவலட்சணமே, meaning ugliness or disfigured.
Yemen - The deity of death
Erum Pariyae - Buffalo, the mount of Yemen
Periyammai - Moodhevi, who is believed to bring bad luck is the elder sister of Goddess of wealth, Lakshmi.
Vaaganam - Mount of Moodhevi - The donkey
Koorai - Roof
Veedu - Home
Kula Raman Thoodhuvan - Hanuman, the monkey God, here refers Kambar as a monkey
Aarai - Refers to the pronoun “who” and the plant “Aarai”
Sonnai - Tell
Ada - Derogatory addressing of a man
Avvaiyar proved her eloquence at all times and never left anyone offend her even verbally. People who were kind to her got back the same kindness back. But when provoked they will face the brunt of her literary eloquence.
More to come, until then....
One such situation was with Kambar. Kambar gained prominence and was a hailed for his great work Kamba Ramayanam. The King was praising Kambar more and seemed to neglect other poets who have equally contributed to literature. As a result, Kambar‘s pride knew no bounds, and he too neglected and treated other poets with disrespect. Even his attire was pompous and prideful. Seeing this, Avvaiyar sang the following
விரகர் இருவர் புகழ்ந்திட வேண்டும்
விரல்நிறைய மோதிரங்கள் வேண்டும் அரையதனில்
பஞ்சேனும் பட்டேனும் வேண்டும் அவர்கவிதை
நஞ்சேனும் வேம்பேனும் நன்று
Viragar Iruvar Pugazhdhida Vendum
Viral Niraya Modhirangal Vendum Araiyadhanil
Panjenum Pattenum Vendum Avarkavidhai
Nanjenum Vembenum Nandru
meaning, A poet has to have at least two cunning people beside him to praise him often; Rings in his fingers, dress that is made of silk or cotton. For such a pompous, gawdy poet, his poetry, even if rubbish or bitter in meaning, will be praised.
Viragar - Person cunning, shrewd or smart
Pugazh - Praise
Viral - Fingers
Niraya - Full
Modhiram - Ring
Arai Adhanil - Lower half of the body
Panju - Cotton
Pattu - Silk
Kavidhai - Poetry
Nanju - Poison
Vembu - Refers to the Neem tree which indicates bitterness
Nandru - Better
What Avvaiyar conveyed in her song was that even if a poet has achieved prominence out of his work, a poet has to have humility. Had not the message been so strong, it would not have reached.
On seeing Avvaiyar being provoked at Kambar’s actions, the King intervened to prevent things from going worse and also he has a very great respect for Kambar, hence he came to talk in favour of Kambar. The King said that Kambar is a great poet who has written an epic in Tamil literature which no other poet has done. There came the response from Avvaiyar, which was even more embarassing for Kambar
வான்குருவி யின்கூடு வல்லரக்குத் தொல்கறையான்
தேன்சிலம்பி யாவருக்குஞ் செய்யரிதால் யாம்பெரிதும்
வல்லோமே என்று வலிமைசொல வேண்டாங்காண்
எல்லார்க்கும் ஒவ்வொன் றெளிது
Vaankuruviyin Koodu Vallarakku Tholkaraiyaan
Thaen Silambi Yaavarukkum Seiyaridhaal Yaam Peridhum
Vallome Endru Valimai Solla Vendam Kaan
Ellaarkkum Ovondru Elidhu
meaning, building a complex and delicate nest like the weaver bird, a strong mound like the termite, gathering honey, the intricate spider web is not easily to be built by all. Likewise, never boast yourself by the works you have done. Because, each one has a task that he can do easily. Additionally, one can never claim superiority over the others by doing a task that is easy for them but difficult or impossible for the others. Like a weaver bird can build its intricate nest but cannot build a termite mound, hence cannot claim superiority by the task one does.
Vaankuruvi - The weaver bird in this context
Vallarakku - Termite mound
Karaiyaan - Termite
Thaen - Honey
Silambi - Spider web
Yaavarkkum - for everyone
Seiyaridhu - Rare/difficult to be done
Yaam - reflexive pronoun
Peridhum - Refers to enormous amount
Vallom - Able
Valimai - Strength, Power
Solla - Tell
Vendaam - Negation of an action
Ellarkkum - for everyone
Ovondru Elidhu - Somethings are easy
Still trying to save Kambar’s face in front of the other poets and people in his court, the King said that Kambar was a poet by birth. Without missing a beat, there came the following song from Avvaiyar
சித்திரமும் கைப்பழக்கம் செந்தமிழும் நாப்பழக்கம்
வைத்ததொரு கல்வி மனப்பழக்கம் நித்தம்
நடையும் நடைப்பழக்கம் நட்பும் தயையும்
கொடையும் பிறவிக் குணம்
Chithiramum Kai Pazhakkam Senthamizhum Naapazhakkam
Vaithadhor Kalviyum Manappazhakkam Niththam
Nadaiyum Nadaipazhakkam Natpum Dhayaiyum
Kodaiyum Piravi Gunam
meaning, The finest art is the practice of the hand; The eloquence in Tamil literature is the practice of the tongue; The greatness of knowledge is the practice of the mind; The nobility of behaviour is by the practice of being nobly behaved. The ones that come by birth are - friendly attitude, mercy and benevolence.
Chithiram - Art, Painting
Kai - Hand
Pazhakkam - Practice
Senthamizh - Classical Tamil
Naa - Tongue
Kalvi - Knowledge
Manam - mind
Nadai - Behaviour
Natpu - Friendship
Dhayai - Mercy
Kodai - Benevolence
Piravi - Birth
Gunam - Character
With this song, Avvaiyar remarked that except friendly attitude, mercy and benevolence, all other things are acquired by practice and even Kambar’s poetic skills are by practice and not by birth. This put Kambar in a very bad situation of being humiliated in front of the others.
The King could not tolerate Kambar being humiliated like this, but he cannot deny the truth attached to Avvaiyar’s song and Kambar’s behaviour at that instance. However, he did not want Kambar to feel bad about that and hence told that there is no one to win Kambar in his poetic eloquence. As usual, came a song from Avvaiyar
காணாமல் வேணதெல்லாம் கத்தலாம் கற்றோர்முன்
கோணாமல் வாய்திறக்கக் கூடாதே நாணாமல்
பேச்சுப்பேச் சென்னும் பெரும்பூனை வந்தக்கால்
கீச்சுக்கீச் சென்னும் கிளி
Kaanamal Venadhellam Kathalaam Katrormun
Konaamal Vaai Thirakka Koodathae Naanamal
Pechu Pechu Yenum Perumpoonai Vandhakkal
Keechu Keechu Yenum Kili
meaning, the people train the parrot to speak words. Once it has learnt to speak a few works, it will talk and gabble continuously. But when a cat enters the room, it will forget about speaking and start screeching. Likewise, once we learn or achieve something, we can talk about it among close circles. But when among learned people, they have to maintain the humility and keep quiet. Otherwise, they would be put to a situation like the parrot seeing a cat. The same was the situation for Kambar, unnecessary talk and pride had led him to a position that he had to be ashamed and keep quiet.
Kaanaamal - Without the presence or being seen
Venadhellam - Whatever wished
Kaththalaam - Shout
Katror - Learned
Mun - in front of
Konaamal Vaai Thirakka koodathae - Should never open the mouth
Pechu - Speech
Perum Poonai - Big cat
Vandhakkal - Arrive
Keechu - Screeching of a parrot
Kili - Parrot
In another instance, Kambar met Avvaiyar and remembering his past bitter experiences, wanted to humiliate Avvaiyar. So, pretending to ask a riddle he humiliated her by using the word ‘dee’ in his question. In Tamil, suffixing or using ‘dee’ when speaking to women is considered derogatory, humiliating and treat the women with utter disrepect. Likewise using ‘daa’ for men is derogatory.
So, Kambar asked the following riddle, where he indirectly referred to the “Aarai” plant and at the same time, humiliating Avvaiyar calling ‘dee’
ஒரு காலடீ நாலிலைப் பந்தலடீ
Oru kaaladi Naalilai Pandhaladi
meaning, What has one foot and four roofs. He referred to the “Aarai” keerai that grows in mud and near ponds. The vallarai keerai is a relative of this. He had used the word “dee” as a pun to also mean the foot and the thing underneath a roof or a tent
Avvaiyar knew Kambar’s intentions, grew angry and blasted him off with the answer at the last in the same style of pun. Kambar was paid back through the same coin.
எட்டேகால் லட்சணமே எமனே றும்பரியே
மட்டில் பெரியம்மை வாகனமே முட்டமேற்
கூரையில்லா வீடே குலராமன் தூதுவனே
ஆரையடா சொன்னா யடா?
Ettaekaal Latchanamae Yemenerum Pariyae
Mattil Periyammai Vaaganamae Mutta Mael
Koorai Illa Veedae Kula Raaman Thoodhuvanae
Aaraiyada Sonnai Ada
meaning, You disfigured beauty, You buffalo - the mount of Yemen (The Diety who is believed to take the lives when someone dies), You donkey - The mount of Moodhevi (The elder sister of Goddess Lakshmi who is believed to bring bad luck), a roofless wall/home (Kutti Suvar in Tamil), You monkey - the messenger for Lord Rama. How dare you address me like that?. The last line is interpreted as a pun. With the second meaning indicating the answer to Kambar’s question, “You mentioned the Aarai Keerai”.
Ettaekaal Latchanamae - Eight and a quarter beauty - In Tamil, 8 is written as அ and quarter as வ, put together it would be அவலட்சணமே, meaning ugliness or disfigured.
Yemen - The deity of death
Erum Pariyae - Buffalo, the mount of Yemen
Periyammai - Moodhevi, who is believed to bring bad luck is the elder sister of Goddess of wealth, Lakshmi.
Vaaganam - Mount of Moodhevi - The donkey
Koorai - Roof
Veedu - Home
Kula Raman Thoodhuvan - Hanuman, the monkey God, here refers Kambar as a monkey
Aarai - Refers to the pronoun “who” and the plant “Aarai”
Sonnai - Tell
Ada - Derogatory addressing of a man
Avvaiyar proved her eloquence at all times and never left anyone offend her even verbally. People who were kind to her got back the same kindness back. But when provoked they will face the brunt of her literary eloquence.
More to come, until then....
Very good one Prabhu. Keep it up! Please write frequently.
ReplyDeleteThanks Hemapriya! Had been busy these days with other stuff. Will try to write more in the coming days!
ReplyDeleteI have been following your blog for quite sometime and really loved it.
ReplyDeleteThanks Bharathi! Nice to hear that!
ReplyDeleteindha thoguppai padiththup' pooriththup'ponen :) :)
ReplyDeleteUngal rasiganum aanen !!!
Mikka Nandri Suresh!
ReplyDeleteI love your blog and your Tamil...Thanks a lot for sharing lot of information ...
ReplyDeleteThanks Anudeepa! Hoping to post more in the shortly..
ReplyDeletethanks i was looking around for this ettekaal latchaname...at last found in your blog, by fortunate it seems it is a very health blog, i remember
ReplyDeleteon my first day to college lost the route end up in mere full of white lotus...like wise
Thanks Daivik Kumar, good to hear that you like the posts!
ReplyDeletePlease write more on this. இவை கிடைத்தற்கரிய பொக்கிஷங்கள்
ReplyDeleteAmazing chain of events, even better translation. Loved the word to word meaning part! I am bookmarking ur page, please continue the good work!
ReplyDeleteThanks Srinivaas!
ReplyDeleteNice blog and well written. Enjoyed them. Thanks for taking the effort to write these. While the poems are great I would have to assume that the sequencing of various poems and the scenes are rich imaginations passed down to us and we even have debate on how many Avvaiyars were there!
ReplyDeleteThank you Venkat Ranganathan. Yes that debate has already been researched. Abithana Chintamani states that there were 3 Avvaiyars, however recent search states that there were at least 7 of the poets with the name Avvaiyar.
ReplyDeletesir,i ve been reading vinodha rasamanjari by veerasaamy chetiyaar....,it deals with the conversations between avvaiyar &kambar..i couldnt find the explanation for some of the poems in it..can you please direct me as to where i must look for it..?
ReplyDeleteHi Monica Ravi,
ReplyDeleteI have heard a lot about Vinodha Rasamanjari, but I haven't had a chance to read it yet. Will search for the book and its explanation and will let you know when I come across the book
Pallandu,pallandu pallayirath aandu
ReplyDeletePala koti noor ayiram aandu thaangal tamizh sevai sezhika, yen vaazhthukal
Nandri
ReplyDeleteGreat work.Big salute to you.
ReplyDeleteThank you Sakthi Murugan!
ReplyDeleteI just came across your articles and like it very much. You are doing a great job for tamil and for people to learn ethics through tamil. Many many thanks and ungal pani sirakka Vaazha valamudan..
ReplyDeleteThanks Kannan
ReplyDeletedo u have story when avvai wS DEINIED WAGES, SUNG A SUONG ENDING LIKE nEDUMSUVEREY nILLAYO
ReplyDeletefrom which book u have taken this poem,Sithiramum Kai palakkam
ReplyDeleteSellavel,
ReplyDeleteThere is a collection called Avvaiyar Thanipaadalgal, that collection has this and other popular songs
பாடுபட்டு தேடிப் பணத்தை புதைத்து வைத்த
ReplyDeleteகேடுகெட்ட மானிடரே கேளுங்கள் கூடுவிட்டிங்கு
ஆவிதான் போயினபின் யாரே அனுபவிப்பார்
பாவிகள் அந்த பணம்
.... sir which poem the above line came. comments please... nakkeera1973@gmail.com
anyone please send the answer for the above question
ReplyDeletePlease check Avvaiyar's Nallvazhi collection song 22 - http://www.projectmadurai.org/pm_etexts/utf8/pmuni0002.html
ReplyDeleteHi Prabhu,
ReplyDeleteThanks for the inspiration. As mentioned in another comment, I have cited this blog in my latest post inspired by this post.
https://kaaviyavarigal.wordpress.com/2017/04/13/understanding-and-appreciating-talent/
Wish you a happy new year!
Hi Sathya,
ReplyDeleteஇனிய தமிழ் புத்தாண்டு நல்வாழ்த்துக்கள்!!!
Thanks once again for the citation, I am happy and honoured that this blog inspires people like you. Moreover, I read your post too, great command of both languages, keep up the good work!
Regards,
Wonderful presentation on Ovaiyaar paadalhal.When I forgot the last two lines of one song of Ovaiyar paadal your article helped me to remember the paadal again.Thank you so much.Please write more and more articles like this.
ReplyDeleteThanks Ambujam.
ReplyDeleteAriyadhu kaetkin.... Both Thamizh and English versions require corrections
ReplyDeletePlease check once again
Thanks
A few lines in the above cited stanza requires correction... Including the last line.... Which presently is conveying the opposite meaning
ReplyDeletePlease correct.
Excellent effort otherwise
Really excellent work
ReplyDeleteThanks Anon! will check and correct
ReplyDelete@Gobi Krishnan - Thank you very much
Nandri
ReplyDeletegrand tour you've served sir. i recall KURMPAATAL THIRATTU which contained the brilliance of the king of epigrams Kaalamekam and the "mother of all, Auvaiyaar!
ReplyDeleteI used to have one with only the original Venpaas. The other print had adequate pozhippurai too to "crack"them.
DO YOU HAVE ANY PLAN TO TRANSLATE &PUBLISH THE FULL COMPILATION?YOU
YOU MUST SIR!
It would be a tragedy if that compilation went out of Tamilan gaze.
Excellent explanations in simplified form please continue to write
ReplyDelete@JJAtma
ReplyDeleteThank for the nice words. I am planning to translate as and when time permits. Thank you once again for the support
@Anon
Thank you!